40 years ago I was a spunky school kid sporting sta-prest and Fred Perrys, carrying an unhealthy obsession with pop and desperately trying to mimic my newly found idols. Madness’ debut album One Step Beyond was made for a boy like me. The brand new 2-Tone label was seen as the second wave of ska; coming off the back of punk it was faster and edgier than in its sixties heyday, and in most cases, due to the social unrest at the time, had a strong political lyrical edge.
One Step Beyond was released on the classic Stiff label but Madness were still a huge part of that early 2-Tone scene. That said, politics seemed to be the last thing on their minds. Unlike most of their ska revival counterparts Madness regularly swayed from the labels’ ska roots, blending rock’n’roll, rockabilly and ‘60s pop into their sound. Lyrically too the subject matter was more diverse, from schoolboy tales of playground antics and first loves to underwear thieves and random cockney patois. The stomping Night Boat To Cairo was my fave, just a glorious ska romp and learning the lyrics to sing along was a must.
As much as anything bands like Madness had a wonderful identity; beyond the tonic suits and loafers this wasn’t musical sophistication, but was something teenagers could instantly and totally relate to. I dived into the deep end consuming the music with a fevered passion of which only a 13 year-old is capable. This was an album way beyond its brilliant singles One Step Beyond, My Girl and The Prince, I could listen to it now and love it almost as much.
One Step Beyond was totally of its time, but nostalgia apart it is still a brilliant debut album. Looking back, I feel lucky to have been thirteen years old in 1979. Not just for The Jam, The Specials, The Selector, The Beat and the iconic 2-Tone scene, but the Top 40 singles chart, Top of the Pops, Smash Hits, Our Price, Cassette Players, now all long gone but I’d take those days over our current instant download culture any day. My love affair with Madness ended with the release of their third album, but Absolutely, and in particular One Step Beyond are iconic, brilliantly British pop masterpieces.