Jeff Buckley – ‘Grace’

There are some albums where I can remember the exact time and place I found them, or they found me. Or someone introduces it, like James whilst smoking his full strength Malboro in the processing room at MVC Bournemouth. He found it, shouted about it and from my recollection it was an escalation of appreciation from most staff members over the next few months. In September ’94 Jeff Buckley’s Grace hit quite a few of us very, very hard.

I had heard of his dad, Tim, but had yet to discover his music so I was unaware of that part of the family’s legacy. Grace is an album where elaborate superlatives are nowhere near enough. The music contained within the ten tracks is of such extraordinary quality that simply describing what you hear will always fall short. Of far more importance is the music’s overwhelming effect on your emotions, your soul and your senses. Goosebump level is always a good indicator of a great album and Grace scores ridiculously high on never-ending skin tingles. So, apologies, I’m going to fall short.

There’s something about Jeff Buckley that feels so undeniably veracious and real, and about Grace that feels so unquestionably convincing. Every single second of Grace sounds like he has to make it count, there’s not a moment where the intensity drops or the music lacks anything other than total conviction. Opener Mojo Pin is almost a tease, suggesting Buckley’s genius before the title trace Grace confirms it with a last two minutes that just erupt. The range of his vocals within these ten tracks is sumptuous, but to call Buckley’s soaring multi-octave vocals angelic or ethereal would be just too simple, just too lazy. The depth of emotion is everything, and it’s everywhere.

The album’s covers are impeccable. Lilac Wine, Corpus Christi Carol and Hallelujah do more than highlight Buckley’s vocal prowess; he’s taken great songs and with stunning arrangements made them his own, and as far as musical contrasts go in successive songs, Corpus Christi Carol into Eternal Life just shows Buckley’s full range. Eternal Life is the nearest Grace gets to grunge, but for me this rides all over the genre. It’s intense, thunderous, and utterly beautiful. Finally, Dream Brother sums up the brilliance of Grace. It has everything; a dreamy and transcendental feel which just radiates the sort of excessive depth that you just want to sink into.

Grace is my favourite album since the 1970s. That’s over forty years of great artists and albums, and this one tops the lot. David Bowie once claimed Grace to be among his favourite albums ever made, calling it the one album he would take to a desert island. Jimmy Page called Grace close to being his favourite album of the decade and Bob Dylan named Buckley one of the greatest songwriters of the decade. Says it all.

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