By the summer of ’95 and over a year into my MVC career I’d claimed the lofty title of assistant manager. Check me. The previous management team were big on country, and whilst Dwight Yoakam and Garth Brooks did little for me, and Shania Twain and Billy Ray Cyrus even less (nothing), there were other artists who the more alt or folk side of that road who grabbed my attention. Lucinda Williams, Emmylou Harris, Shelby Lynne I’d enjoy, but the album I fell for was Tomorrow The Green Grass by The Jayhawks.
From the first minute of the opening track Blue, the appeal of Tomorrow The Green Grass is all there. Glorious harmonies, stunning melodies and a mellow, rootsy guitar-based groove on top of reflective and introspective lyrics…
“Where have all my friends gone
They’ve all disappeared
Turned around maybe one day
You’re all that was there
Stood by on believing
Stood by on my own
Always thought I was someone
Turned out I was wrong”
The constant highlight is the perfect vocal harmony between Mark Olson and Gary Louris. I’d love singing along, alternating harmonies, partly because they sounded so gorgeous and also because the songs were so goddam good; downbeat but uplifting and perfectly produced with piano and strings accompanying the orchestra of guitars. The producer was a dude. George Drakoulias was an A&R man for Def Jam, discovering The Beastie Boys and L.L Cool J. He signed and produced The Black Crowes as well as Primal Scream, Tom Petty and a lengthy list as eclectic as they come.
The guitar solos are another standout, particularly on Miss Williams’ Guitar and the rousing closer Ten Little Kids; distorted and soulful but never overdone. But as is my way it was the more lyrically melancholy and heavy-hearted that grabbed me the most. Blue was great opener, but Two Hearts is the album’s emotional peak if only for the sad as hell ‘I’m lonely, I’m lonely, I’m lonely too.”
The album’s predecessor Hollywood Town Hall and its follow up Sound Of Lies come close to matching Tomorrow The Green Grass, the latter just missing the perfect harmonies following Olsen’s departure. Would I have ever heard The Jayhawks if I wasn’t working in a record shop? Almost certainly not. It almost (definitely) makes the hat-trick of redundancies worth it.