‘This Is Soul’

Listening obsessively to the likes of The Specials, The Beat, The Jam and Dexys for the previous couple of years, it was inevitable that those band’s musical roots were to follow closely behind in my own musical catalogue. 1960s and ’70s ska, soul and funk was about to hit me hard, and it all started with this vinyl gem released in the UK in 1968 – This Is Soul!

The album is a ‘best of’ from the Atlantic label, featuring Stax and soul heavyweights and mostly well-known nuggets. Like almost all my other second-hand vinyl purchases it came from Snu-Peas in Boscombe; still to this day a tiny, overstocked, gloriously dingy vinyl palace – my memory is shocking so where the money came from I haven’t the foggiest – pocket money perhaps, which would have been money very well spent. This album was stunning; a soul education which only enhanced my allegiance with school-friends who were sporting sta-prest slacks and Fred Perry tops with far more confidence than I could muster.

How best to describe This Is Soul? Emotional, inspirational, passionate, raw, cool and groovy as fuck. It took me another five or ten years to learn, but this album came from what was for me the golden era. In the mid 1960s popular music was evolving and challenging, drugs were having a beneficial effect on the music being recorded (if not on the musicians themselves), and American soul and rhythm ’n’ blues was riding high as an inspiration to bands, djs and music lovers on both sides of the Atlantic.

Soul just felt so wonderfully raw and real. Much of the Top 40 was horribly overly manufactured as those plastic New Romantics began appearing in droves. My hatred of those new ‘synthetic’ sounds was exaggerated by this new found love of 60s music, but I care as little for that now as I did then. What is soul? I’ll leave it to Ben E King…

“Some people really know / it’s deep down within us, it doesn’t show / soul is somethin’ that comes from deep inside / but soul is somethin’ that you can’t hide.”

  1. Mustang Sally – Wilson Pickett
  2. BABY – Carla Thomas
  3. Sweet Soul Music – Arthur Conley
  4. When A Man Loves A Woman – Percy Sledge
  5. I Got Everything I Need – Sam & Dave
  6. What Is Soul? – Ben E King
  7. Fa Fa Fa Fa Fa (Sad Song) – Otis Redding
  8. Knock On Wood – Eddie Floyd
  9. Keep Looking – Solomon Burke
  10. I Never Loved A Man – Aretha Franklin
  11. Warm & Tender Love – Percy Sledge
  12. Land Of A Thousand Dances – Wilson Pickett

The Police – ‘Reggatta De Blanc’

The Police made great singles. I’d loved the three or four before Message In A Bottle and Walking On The Moon, but it was those in particular who made me part with my hard-earned paperboy pennies for this full length stunner. I played it to death, and not too soon after its predecessor Outlandos D’Amour.

It was around this time that I became overly concerned about my looks, my clothes, hair and my ability, or lack of, to attract the opposite sex. I was a playground playboy at kiss-chase when I was 10 or 11, but that early promise had faded badly through my early teens. I loved the mod look and the 2-Tone attire, but then these guys came along with random clobber and floppy fringes and when you obsess over an album and stare at its cover the image sinks in to your psyche. I plumped for sta-prest trousers and Argyll jumpers and a mid length mop. And random glasses. And a brace. Cool.

Reggatta De Blanc was the first album I remember where my focus was on the rhythm, the blend of reggae and rock, and i became aware of an ability to use of my hands as percussive instruments. Tracks It’s Alright For You, Reggatta De Blanc and No Time This Time sparked my love of a groovy drummer, and there weren’t many better than Stewart Copeland. Sting was cool, but in late 1980 I wanted to be a drummer. I wanted to be Stewart Copeland.

Thirty years later I’d be promoting gigs, managing live music venues, running rehearsal studios and I’d be surrounded by a bounty of instruments. I’d love to say I can play, but despite having rhythm, I have little patience and an inability to use both hands and both feet at the same time. I’ve also got long fingers but little dexterity. These are actually all shit excuses for really giving up too quickly, but soon I’d become a DJ… and that was good enough for me for the next thirty years.

I have a dreamy legion of musical memories from my teenage years, and constantly flipping this vinyl gem in my bedroom whilst hammering out its kaleidoscopic groove is right up there. Since my twenties I’ve had a love affair with France. Maybe Reggatta De Blanc and Outlandos D’Amour planted seeds. But then again, non.