The last few months of my joyful stay in Penzance met with a discovery of some classic new grits and grooves. I discovered 100% Dynamite, an absolute gem of a compilation form London-based Soul Jazz Records. These tracks were the real deal, the absolute cream of original Jamaican funky soul, ska and rocksteady by the likes of The Maytals, The Upsetters and the keyboard kid genius, Jackie Mittoo. Listening to, and being slightly blown away by the quality of the 14 tracks, it felt like my passion for funk and soul was being reignited, and better still it opened up a whole new world of Jamaican music.
The album featured ska and rocksteady versions of soul tracks I already loved. Aretha Franklin’s Rocksteady was given the full on ska treatment by The Marvells whilst Marlena Shaw’s Woman of the Ghetto was given a more gentle reggae tingle by Phyllis Dillon. But, what grabbed my groove the most was Lee ‘Scratch’ Perry’s house band (and soon to be The Wailers) The Upsetters’ stonking ska blast of James Brown’s Popcorn. Hell yeah, the drums and bass, man… just one killer break.
The Skatalites were well known to me, but not keyboard king Jackie Mittoo whose Stereo Freeze is just another funked up ska stomp. Devouring 100% Dynamite got me searching for more, and it didn’t take long for more Soul Jazz comps to get me. A year or so down the line they released New Orleans Funk and Saturday Night Fish Fry and my obsession with funk and soul kicked in again, invigorated by the brilliance of Eddie Bo, The Gaturs and Roger and The Gypsies immense Pass The Hatchet.
For any fans of funk, soul or ska, if you’ve not found it already, do yourselves a huge favour and dive deep into the Soul Jazz Records back catalogue. Having merged with Studio One, many of the comps feature the label’s legendary history. 100% Dynamite is aptly named. Get on it, and the four blasts of Dynamite that followed.